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| Ride On Down The Highway | 3:05 |
| Such Loneliness | 1:52 |
| Girlfren | 3:41 |
| Hospital | 5:32 |
| Astral Plane | 0:30 |
| Modern World | 3:20 |
| Fly Into The Mystery | 4:07 |
| Hospital | 4:36 |
| A Plea For Tenderness | 9:14 |
| Dignified And Old | 2:27 |
| New England Summer Song | 2:14 |
Notes
Jonathan Richman formed the Modern Lovers in August, 1970 and when they broke up in April 1974 they had not released a single record. But, they did manage to make it into the studio 6 different times: 4 demo sessions, and two that were supposed to produce an LP.
In 1976 Beserkeley records released the first self-titled Modern Lovers LP which was based on two demo sessions from April, 1972 and subsequent reissues have added another batch of tracks to the original.
Then in the early 80's Greg Shaw released an LP called the Original Modern Lovers which was based on two Kim Fowley sessions: (1) summer 1972; and, (2) the putative LP sessions from October, 1973.
But, there are still quite a few unreleased tracks and I've gathered all the ones I have and put them in this torrent. The source of this is tapes which I have received over the years. So, while some of the songs have circulated fairly widely just about everything in this torrent is from an "alternate", and sometimes superior, source.
I have a whole box of tapes, and I went back and listened to everything to make sure that I had the best possible sources for this. It was a LOT of work. A LOT. just so you'll know.
Intermedia Studios, Boston September 1971.
The band's first time in the studio. Intermedia was a relatively new (opened in December, 1970) state of the art studio, with 16 track capability. These demos were funded by Warner Brothers, who were already quite interested in the band. This is well before the Cale demos, and well before Lilian Roxon wrote her review which supposedly got the music world in such a frenzy over the band. Hospital made it to the Beserkely LP courtesy of Jerry Harrison's copy of the tape (Warner Brothers has never had this in their tape library). Two other tracks were added to the 2007 reissue. This is the best quality version of 'Ride Down on the Highway' that I've heard. It was actually the featured song in their set in the early days. Nobody in the band remembers the exact date (or even the month) that these demos were recorded. Fall 1971 is the best guess. But, the tape box for the source reel says September, 1971, and that sounds about right.
John Cale demos
Whitney Studios, Glendale Califoria April 26, 1972
Warner Brothers and A&M brought the Modern Lovers out to LA in April, 1972 to record some demos. The first session was produced by John Cale at Whitney Recording Studios on an 8-track machine.
The band spent about a half day in the studio and produced the core material which appeared on the Beserkely LP. The mixed down material was circulated in the industry both on acetate and on reel to reel tapes. Both media had the following tracklist:
Yes, there are two versions of Roadrunner, but after listening to them back to back about 20 times, I've decided that the unreleased version (track 8) is simply an alternate mix. A version of Dance With Me was also recorded but was never mixed down. I'm also pretty sure that a second version of Roadrunner was recorded, also apparently never mixed down. John Cale plays the mellotron on Girlfriend, and he also plays the piano on Pablo Picasso. Ernie Brooks plays guitar on that track and Jerry Harrison is playing the bass. Warners sold this material to Beserkeley, along with all the other material which they recorded. But, the original 8 track tapes still are in the Warners tape vault. The sound on the original tapes is quite different than on the LP. Matthew Kaufman did his best to eq Ernie Brooks out of existence on the LP.
Alan Mason demos:
Clover Studios, Los Angeles late April 1972
These demos were originally going to be funded by A&M, but they pulled out after the Longbranch show which took place a couple of days after the Cale demos. The band flew up to Berkelely, did the show, spent a day in San Francisco, and then returned to LA to record this demo. Alan Mason worked for A&M records doing college radio promotion and he brought the Modern Lovers to the label. He also worked with Matthew Kaufman, who had a production company which released records through A&M. So, when A&M bailed, the two of them stepped into the breach and funded a short session at Clover Studios which apparently was owned by Robert Appere, who is listed as the engineer here. Kaufman, who is from Baltimore, had been courting the Modern Lovers prior to this so it's not surprising that he got involved. This material has always been owned by Matthew Kaufman and naturally it had a prominent role in the first Modern Lovers LP.
Dinky Dawson demos
Summer 1972
These demos came about because Kim Fowley was doing a promotional tour in early 1972 for his LP "I'm Bad". He made a stop at WBCN radio in Boston for an interview and his host was Maxanne Sartori. Maxanne was a huge Modern Lovers supporter and had been playing Roadrunner on the radio for quite some time. Oh, and she also happened to be one of their roommates in the house they were sharing in Cohasset. She gave Fowley the big pitch, and played him some tunes. Fowley headed off to the UK, but he was intrigued by the band, and on his return to the States, he headed for Boston, looked them up, and spent a few days with them. He knew Stuart "Dinky" Dawson the Byrds soundman. Dinky lived in Massachusettes and Fowley surely knew him because of he Skip Battin/Byrds connection and Dawon had a state of the art PA system / soundboard which he had created for the Byrds. So, they headed over to Dinky's place and spent a couple of days recording in his garage. Fowley then took the best material and headed out to LA to try and pitch it to record company execs.
Some people have given the date of June for these demos, but once again, nobody is quite certain.
Most of this was released in the early 1980's on Mohawk/Bomp records -- Greg Shaw's label. It's not clear who exactly owns it, but the release was completely unauthorized, and it's really nothing more than a bootleg. It feaures tracks at the wrong speed and what sounds like tape bleed through. My source has the same problems. Dinky Dawson has the original reels and there definitely was additional material recorded.
John Cale LP Sessions EleKtra Studios, LA September, 1972
After signing with Warners, in March, 1973, the Modern Lovers headed out to LA and arrived in early July to record an LP. Sessions didn't get going until September, by which time the band's relationship with Cale had deteriorated to such an extent that these sessions were abandoned after just a couple of days. According to the band, no tracks were completed. Backing tracks were in progress, possibly with guide vocals. If this material has survived it is now owned by Matthew Kaufman.
Kim Fowley LP sessions Gold Star Studios, LA October 1973.
When Cale bailed, Warners pulled Kim Fowley in to rescue the situation, although some who were involved still maintain that this was yet another demo session.
the following tracks circulate from acetates:
My source is labeled "Kim Fowley worktape', and Roadrunner is followed by an additional track, Dignified and Old, which did NOT make it to the acetate. However, confusingly, Dignified and Old is labelled as being from the Cambridge Boathouse on my tape, although it's clearly NOT a live recording. So, I'm including it as a Fowley LP track. A version of Dignified and old was defintely recorded with Fowley and this sounds like it's from the Fowley sessions.
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